So why not? I think the most important advantage with this method is the gain for each track is consistent on every song. IMO, The recording techniques mic placement for close miking and the overall tone for each instrument doesn't change (much) throughout the entire gig. Basically treat all of the songs in the live recording as one song, as far as the Project Page is concerned. I posted a topic in this forum titled "multiple song projects in Studio One Pro v3." Unfortunately, I'm pretty wordy and sometimes have a hard time communicating my thoughts. I just fumbled into another way to do this. PS: And please forgive my bad English speech. May be it helps you a little bit? Please be aware, I’m not a professional, I’m an autodidact. copy/paste of EQ settings, reverbs or equivalent. The benefit is, having all songs together in a huge session for the further tuning, e.g. I separate the songs usually not before starting the mastering. If you want, you may continue as mwright137 said by exporting each song (stems) separately now or you may do it later on for instance after further tunings. With some fade in’s and out’s per each song I get my first rough cut means separation of each song.
At the end I will get each song in a single cut by doing this part by part. I set the cuts for all tracks simultaneously.Īfterwords I delete the snippets in between by Strg+Alt+D with the result, that the peaces behind a deleted snippet will be automatically moved forward in the timeline by S1 to close the gap. And at the end the same, I cut at that time, when I would like to fade out the applause later on at the CD for avoiding that the applause is too long. Usually the start is not exactly the first tonal sound, it is one or two second before in a live recording situation. I'm still not an expert in S1, but I do it the following way:īy listen to the record I set cuts at any time I later on would like to have the start or end of a song.
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